Developed roll from 2014

I loaded my Nikon Fe with a roll of delta 400 back in 2014. I took a few shots with it at the beach. I guess I left it on, overnight by accident. Every time I went to take a photo. I remembered that the battery was dead. I kept forgetting about the camera and there it sat collecting dust for years.

I finally popped in some new batteries and finished the roll two weeks ago. I sent the roll over to The Darkroom last week.

Anny recommended I meter my shots at 320. I guess with color film it’s better to overexpose by a stop.

Unfortunately this roll didn’t come out too well. This one of missy is my favorite from the roll. I’ll post the other ones as well, but they’re too grainy and need some editing.

MISSY - Delta 400
Nikon FE – Tokina At-X 90mm f/2.5

This still of Missy is directly from the darkroom scans – no editing, just resizing.

Happy 3 Years of “In Strifes”

I can’t believe it’s been 3 years since I published that record. I was so happy to be done with it. It took a couple of years to get everything tracked right. I did rush through some things, that looking back I would redo. But that’s how it goes. Once you release your little art-baby, you have to just let it live out in the abyss.


The tracklisting of the record was done more chronologically. The record starts with a song of arrogance, Far From Home Sick. It comes out swinging, complaining about how all my friends are dumb and I’m the smart one for moving away. Spare Love and Reasonable Confidence should be more towards the end of the record if we’re going story-wise. I chose to move them up for the listener. They felt like “sturdier” songs as to keep up a momentum.

A Stand Off Waltz was important to me. It was one of the first songs I wrote for this record. When I finished its demo, I felt like I was a REAL songwriter. I’ve written dozens upon dozens of songs at this point, but it was the first one that didn’t sound like me… It sounded professional.

The middle of the record goes into snapshots of living in a toxic relationship. Wake Up Blondie was the weakest of the litter in terms of my songwriting. I chose to keep it in because it’s the only song that I blame myself. Lyrically the album is lopsided. I noticed that I played the victim in most of the songs.

The record concludes with songs of defeat. Blind Spot is a howling of denial. “I ain’t going to miss you, half as much as you’ll miss me” It’s almost a cliche you can’t quit you’re fired scenario. In End Of March, I talk about moving back home to all my burnt bridges and how I have to rebuild/repair myself.

I was convinced everything would start happening for me once I released this record. NO ONE GAVE A FUCK, but that’s life. Could I have advertised more? Yes. Could I have played more shows to promote it? Yes.

Maybe I should have documented my “process” better. Maybe I needed to give people a better look into how I made a record all by myself.

I believe watching someone make an album is like watching someone go to the bathroom. It’s intimate, but far from glamorous. I’d be too distracted, while trying to get my shit done (sorry for the pun). If you’re the type who enjoys that much attention, you’re probably making music for the wrong reasons.

At the end of the day I could/should have done things different. The record is a success in my eyes because I FINISHED it. I don’t care about sales or notoriety. There was a voice in my head telling me to make this album all on my own. I felt like I wouldn’t be able to progress without doing it. So I went for it.

Few “Artists” can say they wrote, performed, mixed, mastered, and published an album all by themselves.. WITHOUT FAKE DRUMS AND AUTO-TUNE, but I DID!

pie rulez


Anny bought us dessert the other night. I really wanted to hate this pie. I had never had it before.

(One of Anny’s favorite cakes has guava in it… yea I know “WHY?!”)

I figured Lemon Cream Pie had be gross as well. The pie was delicious. It’s sweet and tangy at the same time. Go try it.

SPOOKY SALE IS ON!

BUY MY SHIRT!!!!!!!!!!!!!!!!!!!

So this animation took me HOURS and HOURS in After Effects.

I didn’t mind, I was cracking up the whole time.

The trickiest part was looping the dance move. Once I precomposed that, the motion tracking took zero time. I’d say the most time-consuming part was automating the strobe text. It had to be done though, It was too boring on the left there.

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